Diffractive Art Practices: Computation and the Messy Entanglements between Mainstream Contemporary Art, and New Media Art*

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Diffractive Art Practices: Computation and the Messy Entanglements between Mainstream Contemporary Art, and New Media Art

We engage with Karen Barad’s notion of diffraction (2007) to re-evaluate the relations between mainstream contemporary art (MCA) and new media art (NMA)1 that have been discussed for many years as part of a somewhat contentious debate. Our diffractive reading highlights both large and small but consequential differences between these art practices. We do not smooth over the tensions highlighted...

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ژورنال

عنوان ژورنال: Artnodes

سال: 2015

ISSN: 1695-5951

DOI: 10.7238/a.v0i15.2594